Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Photographic exhibition “Ethiopia Spiritual Imprints”
Abbey of S. Giorgio Maggiore, Venice
The set-up of Lizy Manola’s photo exhibition at the Officina del’Arte Spirituale on the San Giorgio Maggiore Island stems from two project objectives: to harmonize each photo with the surrounding space, carefully gauging the framing background; to create a suggestive atmosphere, able to evoke the deep spirituality of Ethiopian people. A number of ad hoc interventions have made space minimal, erasing reduntant details and rationalizing the way in between spaces. The result is a pure architecture, where photos of different intensity, light and colour have found their proper placement. A careful arrangement of light and shadow, veiled by the earthy tone of the background, intensify the profound fascination of the photographic narrative.
Date: 2014
Architect: Paolo De Benedictis
Assistants: Emina Gauzanovic, Maria Angilecchia
Photography: Alessandra Chemollo
Etiopia Spiritual Imprints Exhibition