PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
PE House, Venezia
The apartment occupies the “piano nobile” or the main floor of an elegant 18th-century palazzo overlooking one of Venice’s most charming squares. In the 1970s, the building underwent a significant renovation that diminished its original character and spatial identity. The new restoration seeks to recover the residence’s lost charm, reinstating the “salone passante” or great room as the central element of the composition. Through the strategic reopening and closure of select passages, the elimination of corridors, and the careful redefinition of adjacent rooms, the “salone passante” once again assumes its role as the heart of the home. The living areas, overlooking the square, are arranged around the great room, with large windows that capture and frame some of the city's most evocative views and letting in natural light. Two hallways branch off symmetrically from the living room, leading to the bedrooms, which overlook a series of private courtyards located at the rear.
Date: 2020 I 2023
Architect: Paolo De Benedictis
Assistant: Massimo Ballarin, Pietro de Scarpis
Photography: Alessandra Chemollo
En 160 House PE